
Harry
Taylor
Taylor's practice examines appetite, spectatorship and the social choreography of the table. His work is temporary by design and completed by those present.
A work in four acts
An exercise in appetite, transience
and whatever follows.
The artists

Taylor's practice examines appetite, spectatorship and the social choreography of the table. His work is temporary by design and completed by those present.

Working across hospitality, ritual and performance, Pendergrast considers the systems through which an ordinary gathering becomes an event—and an event becomes a memory.
Prologue
A private presentation concerning beginnings, endings, and the brief interval in which we attempt to give them meaning.
One evening. Four acts. No documentation.

The first mark. A beginning mistaken for innocence.
Matter in motion. Appetite as evidence.
Every form contains the terms of its ending.
What remains refuses explanation.